“The opening sounds of the title track of Out of the White herald that this is going to be something different […] the happy/sad feeling of a Fellini film.” — All About Jazz, Budd Kopman (5/5 stars, January 2015)

“Seductive, beautiful and captivating instrumental jazz,” as described by Gaffa’s Ivan Rod (March 2015), captures the immediate allure of Out of the White. From the outset, the music establishes a distinctive and immersive world, where texture and melody intertwine with clarity and intent.

mMusic’s Miguel Angel (November 2015) calls the album “a subtle and elegant marvel, captained by the Dane,” pointing to the refined control and strong artistic vision that shape the recording. Across its compact pieces, the music unfolds with a natural sense of flow, each track contributing to a cohesive whole while maintaining its own identity.

As JazzNyt’s Niels Overgård (January 2015) writes, “Martin Fabricius' sublime sense of the good melody is intact. It's the kind of jazz that embraces you and lingers on. Out of the White is an original and well crafted album.” That sense of melody and atmosphere runs throughout the album, resulting in a listening experience that is both engaging and lasting—an elegant balance of expression, restraint, and musical imagination.